Shelby Prindaville, Polychrotidae (Heatstack) detail, watercolor and pencil on paper, 30×22″, 2011
My watercolor drawings and figurative sculptures feature a variety of Anolis lizards. The visually fascinating characteristics of anoles combined with their small size yet reptilian “otherness” (occupying a middle ground between too-easily-anthropomorphized mammals and too-alien fish or invertebrates) make anoles an ideal animal representative for my broader ecological interests.
Shelby Prindaville, Anolis proboscis (Pair), watercolor, 3P art medium, and pencil on translucent paper, 16×24″, 2012
The drawings and sculptures I create with anoles use their innate character and abilities to explore a purgatorial space. The first drawing in the watercolor series puts anoles in place of rats in the rat king myth made famous in The Nutcracker; the use of anoles allows a way out of the diseased mass through voluntary autotomy and allegorically demonstrates that repairing environments requires sacrifice. Other drawings pull from subjects ranging from the Ouroboros to Terry Pratchett’s allegory of summer.
Shelby Prindaville, Anolis carolinensis and Mimosa Pudica (Falling), watercolor and pencil on velvet paper, 27×19″, 2012
My desire to sculpt small yet still anatomically accurate anoles has actually led to the development of a new polymer medium: 3P QuickCure Clay. I collaborate with LSU Chemistry Professor John Pojman and his company 3P, and my suggestion to create a clay and its subsequent development has allowed me to use a batch-curing process that achieves the intricately detailed results below.
Shelby Prindaville, Polychrotidae (Dive and Climb), 3P Clay, 4x8x2.5″, 2012
To see larger images or more of my artwork, please visit shelbyprindaville.com.